In conversation, most of our understanding comes from actions, facial expressions, posture, and tone of voice. Less than 30 percent comes from the words themselves. People may speak with sincerity or sarcasm, with a frown, smile, or smirk. They speak loudly or in a whisper, sitting on the edge of their chairs, leaning forward or leaning back, their arms folded. They might nothing, letting their expressions and motions do the talking.
Since perception in real life comes from body language more than spoken words, you shouldn’t depend on dialogue to tell your story. Include the important details of action, expression, and tone of voice.
Here’s a boring exchange between a mother and father:
“Jason quit his job yesterday,” Susan said.
“You’ve got to be kidding,” Bill said. “What’s he going to do now?”
As you write, ask yourself, How did Mom look when spoke to her husband? What was her tone of voice? Was she smiling or did she bite her lip? Other than his words, how did Dad react? Answers to such questions will give you details that give the dialogue meaning. For information on body language, Click Here.
Here’s a better exchange concerning Jason:
Susan put her fork down, hesitating, unsure where to start. “Jason quit his job yesterday.”
“You’ve got to be kidding.” Bill slammed his cup on the table, showing no concern for the spilled coffee. “What’s he going to do now?”
In the last example, readers may not yet know much about the situation, but they want to know because they have a good idea how the parents feel.
Did you notice the absence of “said” in the last example? When the actions and body language identify the speaker, the “he said” or “she said” isn’t needed.
Readers don’t want to play “hide and seek.” When the dialogue is lengthy or you are introducing a new character, identify the speaker near the beginning of the dialogue, not the end. Otherwise, readers must listen to the entire speech before they can connect the words with a person.
Except for introductions and rare cases of emphasis, don’t have characters call one another by name. In conversation, people don’t normally do that. Never call a name in dialogue solely to clarify who is talking.
No two people sound exactly alike, nor do they use the same words. Therefore, be careful to make dialogue and actions unique and consistent for each character. Otherwise, readers will see the author’s personality, not only in the narrative but also in actions and dialogue.
“Sometimes I think I should have been a lawyer,” she said. “Sometimes I think about working as a stock broker,” he said. (How could that information be preserved but have the feel of different characters? Here’s one way: “I should have been a lawyer,” she said. “Not me,” he said. “I’d be a stock broker, get rich, and tell lawyer jokes.”)
A simple said will do. Don’t think you need other words for variety. Instead of variety, you create confusion. Occasionally, you may want to say “he whispered” or “she shouted,” but use them sparingly. Entirely avoid verbs that aren’t a means of speaking the words. People don’t admit, direct, laugh, protest, chortle, sigh, stammer, encourage, venture, or gulp their sentences. (The list is endless. You’ll see them in print, but they are still a sign of weak writing.)
The said word is like the articles a, an, and the, or the pronouns he, she, and it. Use them as many times as needed, without fear of redundancy. Also, don’t burden the attribution with frequent adverbs or information that could be put in a stand-alone sentence.